Something Hidden by Nick Blackstock

nick What motivates authors? Well in my case various historical episodes caught my imagination, fixed themselves there and then refused point blank to leave. Although I had written non-fiction, the thought was ever there that, using these events as a basis, I could write a novel or novels.   Equally, I also knew that it would have to wait until I had more time.  So the first thing I want to say is that I have unqualified admiration for those younger authors who, when faced with this dilemma, have decided not to wait – despite the frenetic juggling of personal, professional and family life it must have entailed.

 

The truism has it that you ‘write about what you know’.  In most cases yes, but . . .  some successful books have been written using places, scenarios and situations totally foreign to the writer.  When that transpires, I can only applaud the author’s confidence.  I find I need to have some personal knowledge, however limited that might be.  In most cases it doesn’t markedly reduce the research load, but it does inject that extra scintilla of confidence into your writing.  Or, at least, I hope it does.

 

One thing that writing has also brought home to me is increasing admiration for writers in the pre-computer age.  Nowadays we edit as we go along, changing punctuation here, excising there, moving text at will. Consider the output of literary giants such as say, Dickens, producing what would now be termed ‘blockbuster’ after ‘blockbuster’. It was all done in longhand and consistently under the pressure of publishers’ deadlines. Also, since some of his work appeared in magazines, deadlines could often be monthly or less. As a word, ‘admiration’ begins to feel a little inadequate.

 

Of course there is a plus side to this, in that modern technology has opened up the practicality, not to say the possibility, of writing to many more would-be authors..   Theoretically, this should enhance the literary gene pool by granting access to publication to a much wider range of individual ‘life experiences’.  Unhappily, as we all know, this coincides with a downturn in the economics of publishing.  It’s a case of Sod’s Law raising its head again.

 

As far as the difficulties of getting published is concerned, we’ve all been there, done that . . . but unfortunately didn’t get the ‘T’ shirt at the end of it.  Ben talked in his blog about the almost impossible task facing first time fiction authors wishing to be seriously considered by agents/publishing houses.  I’m perfectly happy to outline my experience which I’m sure is typical. I must have approached between fifty or sixty houses before my first novel was published.  In the main, the experience was soul destroying, but there were occasional chinks of light. Standing out from the ninety plus percent outright rejections or ‘no replies’, were three editors who took the time and trouble to contact me.   They said what they liked about the book and why, for a variety of reasons, they couldn’t take it on. It was these positive responses which kept me going.

 

Then, after this first novel, I ran into an absolute blank wall.  In fact I put my second novel to one side for a while and concentrated on other projects.  So I would like to echo Ben’s comments about Picnic and its willingness to take on non-established authors. It deserves to succeed. As to other publishing houses – let’s hope he is right about the faint glimmerings of a change in attitudes.  This is particularly important in respect of first time authors.  They are, after all, the seed corn of future fiction writing.

 

When I started this blog, my feelings about blogging in general were that it could all too easily degenerate into a self indulgent ramble.  I know that, from time to time, I have come dangerously close to this.  So tomorrow I intend to switch to the much more interesting subject of the techniques other writers use to get through the writing process.

 

 

 

 

4 Responses to “Something Hidden by Nick Blackstock”

  1. Ben Says:

    Thanks for your personal insights Nick.

    What I am picking up is firstly that my experiences vis-a-vis moving between the non-fiction world and fiction are echoed by you, because everyone seems to think that previous non-fiction work automatically opens doors – how wrong they are.

    The second is the remarkably similar routes that people such as you, Caroline, and myself have gone along – research in a specific field leading to a firing of the imagination.

    Look forward to reading ‘Something Hidden’

    Ben

  2. nick blackstock Says:

    Ben
    Thanks for your comment. Apart from articles in a variety of magazines my previous ‘non fiction’ experience was limited to text books. Given that this is such a specialised field, I wasn’t expecting that it would open any doors to fiction writing.

    What I did find puzzling, however, was that my previous fiction publication didn’t carry much weight either. It gradually dawned on me that the economics of publishing had changed in ways that I hadn’t realised. Publishing houses tend to have a solid stable of established writers which, as you pointed out, they tend to stick with – sometimes long past their ’sell by’ date. Beyond that you have the ‘celeb’ books. Most of these don’t make money, but they can be regarded as groundbait – which may or may not have some sort of return in terms of publicity.

    This leaves a n ever diminishing slot for ‘other writers’, a slot which should be filled by new fiction – but just isn’t.

    Nick

  3. Andrew Says:

    What a haunting incident to build a novel around, Nick. As you say for many authors there’s some scenario, scene, incident – real or imagined – that provides the spark. Yourself, Ben and Caroline have used an in-depth knowledge of a subject as the springboard for their novel. For myself it was pretty much the other way around – I did the research after writing the story! This had some advantage in that I knew where the gaps were – what I really needed to research.

  4. nick blackstock Says:

    Andrew

    Thanks for your comments. As to what comes first – background knowledge or the story – I don’t think it matters. Mind you I suspect it’s easier to start from a position where you know ( or think you know) quite a bit about the subject.

    I’m looking forward to reading your book. I spent some time in East Africa myself, albeit a long time ago.

    Nick

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